光源角度与凝视位置不断变化,在纤弱细腻的光晕表象中析出一抹虚焦渐变的炫光,在硬直的结构中流动。

在/晕Halo/ 系列中,光与凝视的主体由此建立一种新的关系,一个感知的机制,在追逐光的凝视中,不可见在可见中获得求证,不可确定在既定中被解放。

 

AS THE ANGLE OF LIGHT SOURCE AND THE POSITION OF GAZE ARE CONSTANTLY CHANGING, A GLARE WITH A VIRTUAL FOCUS AND COLOR GRADIENT IS SEPARATED OUT IN THE FRAGILE AND DELICATE HALO IMAGE, FLOWING IN A RIGID STRUCTURE.

THE LIGHT HAS THUS ESTABLISHED A NEW RELATIONSHIP AND A MECHANISM OF PERCEPTION WITH THE SUBJECT OF GAZE. IN THE GAZE THAT CHASES AFTER THE LIGHT, THE INVISIBLE IS VERIFIED IN THE VISIBLE, AND THE UNCERTAIN IS EMANCIPATED IN THE CERTAIN.

 

光源角度与凝视位置不断变化,在纤弱细腻的光晕表象中析出一抹虚焦渐变的炫光,在硬直的结构中流动。

在/晕Halo/ 系列中,光与凝视的主体由此建立一种新的关系,一个感知的机制,在追逐光的凝视中,不可见在可见中获得求证,不可确定在既定中被解放。

 

AS THE ANGLE OF LIGHT SOURCE AND THE POSITION OF GAZE ARE CONSTANTLY CHANGING, A GLARE WITH A VIRTUAL FOCUS AND COLOR GRADIENT IS SEPARATED OUT IN THE FRAGILE AND DELICATE HALO IMAGE, FLOWING IN A RIGID STRUCTURE.

THE LIGHT HAS THUS ESTABLISHED A NEW RELATIONSHIP AND A MECHANISM OF PERCEPTION WITH THE SUBJECT OF GAZE. IN THE GAZE THAT CHASES AFTER THE LIGHT, THE INVISIBLE IS VERIFIED IN THE VISIBLE, AND THE UNCERTAIN IS EMANCIPATED IN THE CERTAIN.

 

抽离一种大理石常见的填缝工艺,使纹理错位分割,一种错位的脱轨。

TO REMOVE A COMMON CAULKING PROCESS OF MARBLE, THE TEXTURE IS MISALIGNED AND SEGMENTED, AND A MISALIGNMENT IS DERAILED.

抽离一种大理石常见的填缝工艺,使纹理错位分割,一种错位的脱轨。

TO REMOVE A COMMON CAULKING PROCESS OF MARBLE, THE TEXTURE IS MISALIGNED AND SEGMENTED, AND A MISALIGNMENT IS DERAILED.

不造,

作为年轻、叛逆的代表以及一种精神表征,于2017年

推出,是先锋性、实验性设计品牌本土创造的一个分

支。2019年推出同名限量设计工作室STUDIO BUZAO。

不造,

专注于不设限的实验,意图摆脱人为的创作,通过对

物质的探索表达自我;通过放大既存的物质,揭示、

增强物质固有的属性,让物质引导设计。

品牌名“BUZAO”在中文中亦解释为“不知道”,这

反映其对设计实验的原驱动力:在未知的材料和工艺

试验中,通常会有不可预见的结果。

BUZAO, 

AS A REPRESENTATIVE OF YOUNG, REBELLIOUS AND

ALSO A KIND OF SPIRITED, WAS LAUNCHED IN 2017.

IT’S THE OFFSHOOT OF THE PIONEERING AND EXPER-

IMENTAL DESIGN BRAND- BENTU. APPLYING ITSELF TO

A UNCONFINED EXPERIMENT, TRYING TO GET RID OF

ARTIFICIAL CREATION, BUZAO IS FOCUSING ON PRE-

SENTING ITS PERSONALITY THROUGH THE EXPLORATION

OF MATERIALS. IT CREATES THROUGH AMPLIFYING

WHAT IS ALREADY THERE, TO REVEAL AND ENHANCE THE

INNATE SELF OF THE MATERIAL, LETTING THE MATERI-

AL GUIDE THE DESIGN AND DICTATE THE OUTCOME.

THE WORD “BUZAO” IN ITS NAME ALSO MEANS “I

DON’T KNOW” IN CHINESE, A REFLECTION OF THE

STUDIO’S INTEREST IN EXPERIMENTATION IN UNEX-

PECTED MATERIALS AND PROCESSES, OFTEN WITH UN-

FORESEEABLE  RESULTS. 

BUZAO

WHAT’S